More or less a found-footage remake of Rosemary’s Baby, this low-budget American chiller divides its time between warning us of the Antichrist’s impending arrival, and explaining why, in Satan’s logic-defying name, anyone’s camera is still continuing to roll. It’s not hard to guess which aspect is scarier. Newly-weds Samantha (Allison Miller) and Zach (Zach Gilford) have a mental blackout on the last night of their honeymoon in the Dominican Republic, which is unfortunate, because that’s when Beelzebub, with the help of some very suspect and carelessly stereotyped natives, got her up the duff. The oblivious pair make it home. All seems well. All is not well.